CD Review: HOOSIERS soundtrack

By DANIEL SCHWEIGER 02/23/2013
HOOSIERS soundtrack | ©2012 Intrada Records

Jerry Goldsmith was always pushing the musical boundaries of every genre he scored, sometimes applying seemingly anachronistic approaches where only a symphony would seem right. Perhaps no movie is a bigger case in points, or passes for that matter, then 1986’s HOOSIERS, in which Goldsmith applied the kind of synthesizers he’d most often used for sci-fi to the holy Midwestern sport of basketball. Along with Vangelis’ Oscar winning “Chariots of Fire,” Goldsmith’s Oscar-nominated work here would help change the game of scoring sports movies, creating a soundtrack as venerated as his similarly, boldly stylistic work on PLANET OF THE APES […]Read On »


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CD Review: THE SHADOW soundtrack

By DANIEL SCHWEIGER 09/13/2012
THE SHADOW soundtrack | ©2012 Intrada Records

First heard on the radio in 1930, The Shadow set the tone for the archetypical playboy-cum-superhero, a man of leisure whose real nighttime activity was trading in his tuxedo for an ominous crime-fighting outfit, one that struck fear into the hearts of common thugs and super villains alike. Though The Shadow found popularity every medium from to the airwaves and comic books, it somehow took about sixty-three years for handsome Lamont Cranston and his ugly alter ego to make their big screen debuts. And like such wonderfully entertaining retro box office busts of the time as THE ROCKETEER and THE […]Read On »


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CD Review: STAR TREK: THE MOTION PICTURE soundtrack (limited edition)

By DANIEL SCHWEIGER 07/12/2012
STAR TREK THE MOTION PICTURE soundtrack | ©2012 Paramount

In the blaze of Holy Grail soundtrack releases that just might finally represent the glorious supernova of physical CD’s, it’s easy to start taking one treasure after the other for granted. But when a title of truly momentous proportions is unearthed, it’s not only time to give thanks and bask at what might be the last best time in history to buy movie scores, but to also marvel at the power of music itself beyond trying to pick up the seemingly unceasing cascade of “bottle caps” – as Jerry Goldsmith liked to call the rewards of the insatiable collector mindset. […]Read On »


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CD review: MOON 44 soundtrack

By DANIEL SCHWEIGER 06/24/2012
MOON 44 soundtrack | ©2012 Buysoundtrax Records

It’s not easy being in the shadow of a man who made history, whether in world events or the creative arts. It’s even bolder to follow in that father’s footsteps, knowing that it’s nearly impossible to scale the same heights, no matter how talented you might be. So props can certainly be giving to the recently departed Joel Goldsmith for choosing his father Jerry’s profession, especially the son didn’t achieve the kind of bigger budgeted projects his work warranted. Yet that never stopped Joel from particularly excelling in the genre with such scores as THE MAN WITH TWO BRAINS, WATCHERS, […]Read On »


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CD Review: THE GREAT TRAIN ROBBERY

By DANIEL SCHWEIGER 01/25/2012
THE GREAT TRAIN ROBBERY soundtrack | ©2011 Intrada Records

One of the most rollickingly enjoyable crime movies of any age is Michael Crichton’s 1978 historical heist flick THE GREAT TRAIN ROBBERY which had dapper Sean Connery, Donald Sutherland and a particularly bodice-cous Lesley Anne-Warren ripping off the Crimean War gold from said speeding train. The fourth accomplice who truly helps them get away with the crime of the Victorian century is composer Jerry Goldsmith, delivering what arguably stands as his most elegantly stylish, and fun score of all time. With a score that sounds as much as a locomotive as melodically possible, the thematically driven Goldsmith varies his main […]Read On »


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CD Review: GREMLINS soundtrack

By DANIEL SCHWEIGER 12/25/2011
GREMLINS soundtrack | ©2011 Film Score Monthly

If you were among the generation that saw one great genre film after the other in the early ’80’s, perhaps no signature theme signaled these pictures’ often seditious spin on kid-friendly formulas than the sweet whistling of Gizmo and the cackling, rambunctious jazz rag of what would pop out of that furry little fella if you fed him after midnight. It’s taken nearly three decades for those little devils’ music to fully metamorphose, but at long last, Jerry Goldsmith’s full score to GREMLINS is finally here to create hilariously menacing havoc. While Goldsmith was famed for scoring the far more […]Read On »


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CD Review: EXPLORERS soundtrack

By DANIEL SCHWEIGER 10/01/2011
EXPLORERS soundtrack | © 2011 Intrada

In a legendary career filled with long-standing relationships with such directors as Franklin J. Schaffner (PLANET OF THE APES) David Anspaugh (RUDY) and Curtis Hanson (L.A. CONFIDENTIAL), perhaps no filmmaker brought out the child-like glee of Jerry Goldsmith’s music like Joe Dante- even if some of the nine pictures they’d do together exhibited a deliciously twisted streak of black humor when it came to putting youths in peril from GREMLINS or SMALL SOLDIERS. Yet there’d be nothing but innocence in 1985’s EXPLORERS, Dante’s guileless movie in which a bunch of youths (including River Phoenix and Ethan Hawke) build a spaceship […]Read On »


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CD Review: FIRST KNIGHT original soundtrack (5,000 edition)

By DANIEL SCHWEIGER 05/21/2011
FIRST KNIGHT Original Soundtrack | ©2011 La La Land Records

By 1995, Jerry Goldsmith was nearing the winter of his years, age which meant nothing when it came to the youthful passion he’d invest in his work for almost another decade. Yet it was precisely Goldsmith’s mature, melodic energy that made this king of Hollywood composers a natural to sit on the throne alongside Sean Connery in FIRST KNIGHT, a sweeping re-telling of the Arthurian legend that deserved a more noble reception. Now the regal, resounding brass is here to announce a two-CD set of Goldsmith’s complete score, the magnificence of his accomplishment soaring with symphonic heroism worthy of the […]Read On »


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CD Review: STAR TREK V: THE FINAL FRONTIER – Limited Edition

By DANIEL SCHWEIGER 03/17/2011
STAR TREK V soundtrack | ©2010 La La Land Records

La La Land continues to show long-needed love to great soundtracks from undeservedly maligned sequels, in this case the one where William Shatner assumed both the com, and the director’s chair to have the Enterprise find the all-mighty. Though a lot of this EST-centric probing ended up having its share of goofy moments, the film more often than not did a powerful job of returning the series to its metaphoric sci-fi roots. So it only seemed right for Shatner to have composer Jerry Goldsmith come back to the series for the first time since THE MOTION PICTURE, making this FINAL […]Read On »


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CD Review: FIRST BLOOD soundtrack

By DANIEL SCHWEIGER 03/03/2011
FIRST BLOOD soundtrack | © 2011 Intrada Records

This might not be the first time that Jerry Goldsmith’s inimitable action score has been released, but it likely won’t get better than Intrada’s “ultimate” edition, whose two CD’s feature FIRST BLOOD’s original cues and composer-sequenced soundtrack album. While Goldsmith would grow with Rambo’s transformation into a muscle-packed fighting machine, perhaps none of the composers’ three scores for the series packed the vulnerability, and even dare say tenderness, of a character that started off as a killable human being. It doesn’t take long for this mournful trumpet and guitar compassion to give way to Goldsmith’s way with the gracefully pounding […]Read On »


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