Music

CD Review: SCREAM: THE DELUXE EDITION soundtrack (2,000 limited edition)

By DANIEL SCHWEIGER 07/12/2011
SCREAM soundtrack | ©2011 Varese Sarabande Records

Sure horror scores before 1996 raised their voice more than occasionally. But it took Marco Beltrami to send the genre into a true fugue state with the cacophony of SCREAM’s outrageous symphonic kills, creating a whole new impactful sound for slashers and demons alike, not to mention setting the thematic template for three more franchise scores to come. Music fans with subtler tastes might chide SCREAM for being over the top. Yet that was exactly the right tone for writer Kevin Smith’s satiric takedown of the genre. Though he himself might not have been into a horror geek like SCREAM’s […]Read On »


COMMENTS (0)

CD Review: UNDER NEW MANAGEMENT soundtrack

By DANIEL SCHWEIGER 07/11/2011
UNDER NEW MANAGEMENT soundtrack | ©2011 Nathan Furst

Imagine a rom-com score for a meeting between Wall Street and The Mob, and you might hear the bubbly orchestral jazz of Nathan Furst. For a guy who’s usually busy scoring killer alligators and crocodiles, the melodically sparkling production values of UNDER NEW MANAGEMENT are a terrifically apt way for Furst to tell the world he’s not going to get pulled back in. The menace here is definitely of the more playful type, as a slicked back financial man about town tries to take the old family business legit, even if his Costra Nostra friends would rather break heads than […]Read On »


COMMENTS (1)

CD Review: WHAT’S NEW PUSSYCAT / PUSSYCAT, PUSSYCAT, I LOVE YOU soundtrack (1,000 edition)

By DANIEL SCHWEIGER 07/10/2011
WHAT’S NEW PUSSYCAT / PUSSYCAT, PUSSYCAT, I LOVE YOU soundtrack |©2011 Quartet Records

After their superb release of THE KNACK, Quartet Records continues to go shagging in the ’60’s with this double-hander release of Burt Bacharach and Lalo Schifrin, both doing their swinging thing for the love revolution for WHAT’S NEW PUSSYCAT and its sequel PUSSYCAT, PUSSYCAT, I LOVE YOU. Where John Barry brought a fun, smooth jazz sophistication to Soho, these scores are all about pure, playful lechery. Next to turn Woody Allen into an unlikely woman killer with the aid of Herb Alpert and the Tijuana Brass for CASINO ROYALE, Burt Bacharach is fully on his own for his first score […]Read On »


COMMENTS (0)

CD Review: ZOMBI 2 / A CAT IN THE BRAIN soundtrack

By DANIEL SCHWEIGER
ZOMBI 2 / A CAT IN THE BRAIN soundtrack | ©2011 Beat Records

Where rock fans stateside were grooving the progressive rock of groups like Emerson, Lake and Palmer, Italian horror auteurs were using the guitar and synth vibes for far bloodier ends. And if Dario Argento was linked at the hip to the rhythmic murder operas of Goblin in DEEP RED, SUSPIRIA and DAWN OF THE DEAD, than the infinitely gorier Lucio Fulci was joined in the intestine to the creepily mod sound of Fabio Frizzi for such infamously stylish splatterfests like THE BEYOND, CITY OF THE LIVING DEAD and MANHATTAN BABY. Now Beat Records has paired Frizzi’s scores from two movies […]Read On »


COMMENTS (0)

CD Review: BEYONCE – 4

By CARL CORTEZ 07/05/2011
BEYONCE - 4 | ©2011 Sony Music

Distributor: Sony Music Suggested Retail Price: $9.99 If I had my choice of soaking in a new Elvis Costello album or checking out the new Beyonce release 4, I would probably go for Costello. However, considering there isn’t a new Costello release, there’s no harm in evaluating Beyonce’s latest. To be honest, I thought her last release, I AM … SASHA FIERCE, was an impressive, groundbreaking album for the artist. She experimented with her sound and conjured up some very powerful ballads that transcended the Diva genre. With 4 (her fourth solo release), she plays it somewhat safe. There are […]Read On »


COMMENTS (6)

CD Review: MR. POPPER’S PENGUINS soundtrack

By DANIEL SCHWEIGER 07/01/2011
MR. POPPER'S PENGUINS soundtrack | ©2011 Varese Sarabande Records

Ever since Mark Waters launched Rolfe Kent as the king of comedy scoring quirk with HOUSE OF YES, the two have oft-times been rumbling in the jungle with FREAKY FRIDAY, JUST LIKE HEAVEN, GHOSTS OF GIRLFRIENDS PAST and MEAN GIRLS. Even when the subject didn’t seem to call for it, Kent’s uniquely eccentric love of ethnic instruments and seemingly incompatible musical approaches have always added new layers of subtext to his movies, especially when it came to chants and drums turning high schoolers into vicious predators prowling the cafeteria savannah. Now Waters and Kent get the real, feathered deal as […]Read On »


COMMENTS (1)

CD Review: GREEN LANTERN original soundtrack

By DANIEL SCHWEIGER
GREEN LANTERN soundtrack | ©2011 Watertower Music

Not only does this summer stand as having the some of the strongest superhero movies in memory row, but also for having two of those pictures feature characters who were likely voted most impossible to pull off for live action. First there was the mystical might of the Marvel god THOR, whose Asgardian grandeur was impressively hammered in by Patrick Doyle with a symphonic/ percussive score that virtually rebooted Doyle’s old-school orchestral sound to new levels of young Hollywood hipness. Then in the DC corner, there’s the GREEN LANTERN, Earth’s recruit to a legion of space cops who make the […]Read On »


COMMENTS (0)

Film Fest: The Laughs Are On at the 2011 Los Angeles Film Festival

By PAUL ZIMMERMAN 06/24/2011
2011 Los Angeles Film Festival poster

Dateline: Downtown Los Angeles Exactly why, you may wonder, would one need to attend a film festival in Los Angeles. Isn’t everyday a film day? Yes and no. Sure, any given day there might be a film premiere or a star appearance. But only the Los Angeles Film Festival offers such a magnificent mix of multimedia culture clash. It may be only the second year for the LA Film Festival in its new location—downtown’s glitzy steel and glass entertainment center known as L.A. Live—but it already seems as familiar as popcorn and butter. With most films showing at the Regal […]Read On »


COMMENTS (4)

CD review: THE BLOB original soundtrack (2,000 edition)

By DANIEL SCHWEIGER 06/19/2011
THE BLOB original soundtrack | ©2011 La La Land Records

Ahhh, to be back in the synth-driven days of horror scoring, especially covered in red, keyboard goo, voices, dark strings and feverish percussion that accompanies the 1988 BLOB– all placed into an undulating musical mass by Michael Hoenig. Having played with Tangerine Dream, Hoenig’s first synth credit was gracing GALAXY OF TERROR before establishing his own composing chops on such genre cult favorites as MAX HEADROOM, THE WRAITH, THE GATE and I, MADMAN. While THE BLOB’s music seems to be all effectively shapeless stings dribbling tones, and militarism for the true government bio-villains, Hoenig’s score really kicks into gear during […]Read On »


COMMENTS (0)

CD review: PRIEST original soundtrack

By DANIEL SCHWEIGER
PRIEST original soundtrack | ©2011 Madison Gate Records

When it comes to the musical battle between heaven and hell, Christopher Young plays the clash of Godly might and the unholy’s fearsome forces like few composers in the supernatural scoring business, especially with the massive symphonic and choral power of such soundtracks as HELLRAISER, BLESS THE CHILD, THE EXORCISM OF EMILY ROSE, DRAG ME TO HELL, GHOST RIDER, etc. Now Young’s religioso voices and snarling orchestras have at it again with terrifically entertaining fury on the future, vampire-plagued Earth of PRIEST. It’s one thing to unleash the tropes of musical hell, but it’s another to truly know how to […]Read On »


COMMENTS (0)
  1. Pages:
  3. 1
  4. ...
  5. 56
  6. 57
  7. 58
  8. 59
  9. 60
  10. 61
  11. 62
  12. ...
  13. 71
Increase your website traffic with Attracta.com

Dr.5z5 Open Feed Directory

bottom round