Music

CD Review: THE MACHINE soundtrack

By DANIEL SCHWEIGER 06/15/2014
THE MACHINE soundtrack | ©2014 Movie Score Media

Among the wave of big-budget sci-fi scores using the latest in music high-tech to capture a lo-fi mid-80s electric sound, THE MACHINE resurrects the ghost in the synth to notable effect. Making his feature debut after numerous shorts (one tellingly titled THE BRITISH UFO FILES), Tom Raybould nails a hybrid approach between the coldly determined rhythms of John Carpenter, the more ominous sonic masses of Vangelis and the organic tonalities of a gentle, and just as effective piano and guitar. Put these together, and you’ve got an impressive recipe for creating musical artificial intelligence with a heart. Such is the […]Read On »


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CD Review: THE GERMAN DOCTOR (WALKOLDA) soundtrack

By DANIEL SCHWEIGER 06/14/2014
THE GERMAN DOCTOR soundtrack | ©2014 Quartet Records

While history itself never allowed us the satisfaction of Auschwitz’s “Angel of Death” being brought to justice, that hasn’t stopped the movies from imagining what happened to Joef Mengele during his decades-long sojourn in South America. Now Nazi-friendly Argentina offers their take on this legendarily evil figure with THE GERMAN DOCTOR, which finds the physician brought into the fold of an unsuspecting family, whose daughter he takes a potentially dangerous shine to. But if you’re expecting the rousing Bavarian strains of Jerry Goldsmith’s THE BOYS FROM BRAZIL or the menacing, slithering darkness of Michael Small’s MARATHON MAN, then composers Andres […]Read On »


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CD Review: THE FINAL MEMBER soundtrack

By DANIEL SCHWEIGER 06/13/2014
THE FINAL MEMBER soundtrack | ©2014 Movie Score Media

Whether it was a mildly horny teen in THE WAY WAY BACK, a guy getting it on with his dream girl through a good number of the (500) DAYS OF SUMMER or a high school senior MacDaddy facing THE SPECTACULAR NOW, Rob Simonsen has scored more than a few films where using one’s penis is of vital importance. The difference with THE FINAL MEMBER  is that it becomes a detachment contest among three particularly giving guys who want to donate their Johnson to the Icelandic Phallological Museum, the preeminent (and only) penis museum on the planet that needs to complete […]Read On »


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CD Review: FILTH soundtrack

By DANIEL SCHWEIGER 06/12/2014
FILTH soundtrack | ©2014 Milan Records

Clint Mansell has a rocking way of descending into madness, whether it’s a math savant drilling a hole in his head to solve an impossible equation, having the savior of the great flood become convinced he’s got to sacrifice a first born, or manically playing a bunch of junkies hallucinating their way to hell. Fuel his style of using rhythmically intensifying waves of electric guitar and symphonic psychosis with the drug-addled imagination of TRAINSPOTTING author Irving Welsh, and you’ve got a powerfully unhinged recipe for one very bad Scottish lieutenant in FILTH. The twisted cop’s nationality cleverly accounts for the bagpipes […]Read On »


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CD Review: DENNIS THE MENACE soundtrack

By DANIEL SCHWEIGER 06/11/2014
DENNIS THE MENACE soundtrack | ©2014 La La Land Records

While he was a maestro of nearly every musical style, the one genre that Jerry Goldsmith never quite seemed to master was straight-up, non-genre comedy, particularly in such oddball scores as THE LONELY GUY, FIERCE CREATURES and MR. BASEBALL. Maybe it was because the melodies got all sentimental when confronted with straight-up romance, as opposed to playing the hijinks of gremlins and psycho neighbors. While he might not have horns, the devilish mischief of 1993s DENNIS THE MENACE does much to rectify the Goldsmith comedy curse, especially since the romance here is giving a yucky kiss to Margaret Wade. DENNIS […]Read On »


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CD Review: BETTER LIVING THROUGH CHEMISTRY soundtrack

By DANIEL SCHWEIGER 06/10/2014
BETTER LIVING THROUGH CHEMISTRY soundtrack | ©2014 Lakeshore Records

Few comedy-minded composers are bridging the gap between the days of future alt. rock and the past’s pop kitsch like Andrew Feltenstein and John Nau, especially when it comes to all-out spoofs that allowed the free for all of jazz, psychedelic and Mexican music in CASA DI ME PADRE or the 70s funk fest and shark love songs of ANCHORMAN 2. But what makes LIVING better, and more challenging is that instead of uproarious pop culture and movie jokes, this scoring duo is tasked with rampaging through regular day suburbia, if still completely jacked up on illicit sex and drugs. […]Read On »


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CD Review: UNDER THE SKIN soundtrack

By DANIEL SCHWEIGER 06/09/2014
UNDER THE SKIN soundtrack | ©2014 Milan Records

There are WTF scores. And then there are WTF scores, soundtracks that take an approach so utterly bizarre and unique that their composers don’t seem to have originated from this planet. On that note, someone had better do a major physical examination of Mica Levi, a seemingly come-from-nowhere musician – at least if you aren’t aware of her alternative career in Micachu and The Shapes. But given this young, classically trained artist’s stunning, and startling scoring debut, you just might assume her place of origin is another star system. For how else to describe the sound mass that’s likely what […]Read On »


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CD Review: SOLAR CRISIS soundtrack

By DANIEL SCHWEIGER 06/08/2014
SOLAR CRISIS soundtrack | ©2014 Intrada Records

I may have been the only person to see this intended sci-fi epic on the big screen back in 1990, let alone enjoy the loony virtues of Alan Smithee’s (i.e. Richard Sarafian’s) voyage to bomb the sun, a mission pre-figuring SUNSHINE‘s by almost two decades. Powered with impressive effects by 2010’s Richard Edlund, this 50 million dollar Japanese-American co-production was filled with stars like Tim Matheson, Jack Palance, Peter Boyle and Charlton Heston (because you can never end the Earth without him). But perhaps the most impressive passenger aboard SOLAR CRISIS was Maurice Jarre, who’s catch-all style score was especially […]Read On »


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CD Review: SHE-DEVIL soundtrack

By DANIEL SCHWEIGER 06/07/2014
SHE-DEVIL soundtrack | ©2014 Music Box Records

Before Howard Shore became the thunderous orchestral king of serial killers, fantasy epics and heavy duty drama, the Canadian composer (and former SNL music director) did indeed have a funny bone to his body early in his Hollywood career, as can be evidenced by AFTER HOURS, BIG and even MOVING.  Sure these scores might have been sandwiched between the Cronenbergian likes of THE BROOD and THE FLY, but humor has always provided Shore with some of his most purely enjoyable scores, especially when taking on the harlot-housefrau battle between Meryl Streep and Roseanne Barr in 1989s SHE-DEVIL. DESPERATELY SEEKING SUSAN director […]Read On »


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CD Review: LAIR soundtrack

By DANIEL SCHWEIGER 06/06/2014
LAIR soundtrack | ©2014 La La Land Records

2007’s LAIR stands as a videogame that simultaneously allowed the booming industry to take off and crash to the ground. The big downdraft came from a “Sxixaxis” PS3 control system that was supposed to allow you fly giant lizards with the ease of a dragon rider from Pern. However, it ended up being so frustratingly faulty that thousands of users let fly their controllers towards their television screens (mine included). While players would have to wait for an analog update to truly enjoy the game’s graphic virtues, the one area that immediately met LAIR‘s grand ambitions, and then some, was […]Read On »


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