Soundtracks

CD Review: THUNDERBIRDS ARE GO soundtrack

By DANIEL SCHWEIGER 05/15/2016
THUNDERBIRDS ARE GO soundtrack | ©2016 Silva Screen Records

Though the decades of Gerry and Sylvia Anderson’s classic “Supermarionation” shows, the stirring, grandly thematic voice of Barry Gray made audiences believe that a puppet could fly – no more so then when piloting five spaceships called The Thunderbirds. Now spiffed up with a state-of-the-art mix of modelwork and CGI animation, THE THUNDERBIRDS has taken new flight on English TV, and soon America’s Netflix instant. Old school fans will likely miss the charm of wire-controlled marionettes and Gray’s straight-ahead scoring that nicely combined British patriotic pomp with hep 60’s pop. This reboot is pitched straight ahead for an adrenalized tween video […]Read On »


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CD Review: THE WANNABE soundtrack

By DANIEL SCHWEIGER 05/14/2016
THE WANNABE soundtrack | ©2016 Movie Score Media Records

A seriously deluded low life couple make the big mistake of thinking they can rip off NYC’s connected Italian citizens, learning big time that crime of any sort doesn’t in this strange-but-true tale – one that previously made for 2014’s far superior ROB THE MOB. But that’s not to say the following year’s THE WANNABE doesn’t have some mook charms to it, namely Patricia Arquette’s beyond-committed performance and an eccentric score by Nathan Larson. A seriously unsung composer when it comes to scoring hard to love losers in such indies as in PALINDROMES, CHOKE and THE SKELETON TWINS, Larson takes an emotionally similar approach […]Read On »


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CD Review: THE CAIRO DECLARATION soundtrack

By DANIEL SCHWEIGER 05/01/2016
THE CAIRO DECLARATION soundtrack | ©2016 Movie Score Media

Nothing seems to inspire glorious feelings for The Motherland like a flag-waving symphonic score, its citizens’ devotion embodied in majestically swirling melody. But then, you don’t have to open your Little Red Book to appreciate the stirring patriotism that westerner Chad Cannon, along with Chinese composer into THE CAIRO DECLARATION, creating the most sumptuous music to accompany a historical event most listeners on this side of the Atlantic have never heard of. The 1943 meeting between FDR, Churchill and soon-to-be overthrown Chinese ruler Chiang Kai-shek decided the who’d get Japan’s occupied territories once Tojo went down in flames – with the […]Read On »


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DICKENSIAN and RIPPER STREET soundtracks – CD Reviews

By DANIEL SCHWEIGER 04/30/2016
RIPPER STREET soundtrack | ©2016 Silva Screen Records

    The music of Victorian-to-Edwardian England has never been more interesting given the likes of Hans Zimmer’s SHERLOCK HOLMES, Charlie Mole’s MR. SELFRIDGE and John Lunn’s DOWNTON ABBEY. When given the spirit of such TV dream-team mash-ups like PENNY DREADFUL, the antiquated approach becomes positively hopping, especially as heard on English label Silva Screen’s releases of the BBC soundtracks to Debbie Wiseman’s DICKENSIAN and Dominik Scherrer’s RIPPER STREET, shows whose desperation-caked cobblestones ring with exciting, unbuttoned vibrancy. DICKENSIAN is turns the Marvel Universe into the Charles Dickens one as literary superheroes from such classic novels as A CHRISTMAS CAROL, GREAT EXPECTATIONS and THE OLD CURIOUSITY SHOP search for the […]Read On »


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CD Review: BEYOND: TWO SOULS SOUNDTRACK

By DANIEL SCHWEIGER 04/29/2016
BEYOND: TWO SOULS soundtrack | ©2016 Lakeshore Records

Good, if not excellent things can come to those who wait, which can be especially frustrating when it comes to a world where instant, visual gratification always comes first before music that can be equally as gratifying (if not more so) than the game it’s attached to. Now finally after three years, listeners will finally get to dive into Lorne Balfe’s terrific score for the 2013’s BEYOND: TWO SOULS. Game creator David Cage’s attempt to break down the line between movie and controller by having the player make choices that would creates fateful ripples across the rest of his experience – […]Read On »


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LINK and POWDER soundtracks – CD Reviews

By DANIEL SCHWEIGER 04/28/2016
LINK soundtrack | ©2016 La La Land Records

here Jerry Goldsmith was lionized for any number of inventive, mainstream scores like BASIC INSTINCT, TOTAL RECALL and THE WIND AND THE LION, the composer had an equal knack for embodying idiosyncratic characters for movies well below the widely accepted radar like UNDER FIRE, THE SALAMANDER and THE TRAVELING EXECUTIONER. Goldsmith’s creativity flowed with noticeable enthusiasm for these soundtracks where he could show off his devilishly clever humor and emotional resonance, whether accompanying an orangutan manservant or a mystical albino. In his follow up to PSCYHO II for director Richard Franklin, Jerry Goldsmith was given the opportunity to play a not-so obviously lethal killer. Instead, […]Read On »


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THE JUNGLE BOOK soundtrack – CD Review

By DANIEL SCHWEIGER 04/27/2016
THE JUNGLE BOOK soundtrack | ©2016 Walt Disney Records

With his father Louis Debney playing his part in the birth of Disney animation, it was only natural that his musically talented son John would get his start at the studio on his way to turning its beloved 1967 toon into an astonishing example of live action flesh and CGI fur. You can certainly hear the love tonight in Debney’s epic valentine to his alma mater, as well as the inimitable tunes of its greatest songsmiths The Sherman Brothers by reading THE JUNGLE BOOK as it scales new heights for the composer. Debney has done an impressive job segueing from Mickey […]Read On »


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CITY OF GOLD: Composer Bobby Johnston hears the good eats of L.A. – Interview

By DANIEL SCHWEIGER 04/14/2016
CITY OF GOLD soundtrack | ©2016 Lakeshore Records

Los Angeles has usually been portrayed in decidedly unappetizing fashion by Hollywood, conveying a city full of kill-hungry zombies (THE OMEGA MAN), morally bankrupt magnates (CHINATOWN) gang bangers (COLORS) and corrupt cops (L.A CONFIDENTIAL) – a fictional situation disdainfully summed up by the epic movie documentary LOS ANGELES PLAYS ITSELF. However, it’s a documentary that now reverses courses for those fed up with LA’s fictionalized bad taste. For CITY OF GOLD resets the table in far more optimistic, and melodically fun fashion as it follows Pulitzer-prize winning food writer Jonathan Gold, a self-described “failed cellist” who’s reviews have gone on […]Read On »


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RAMS: Icelander Atli Örvarsson shepherds the score – Interview

By DANIEL SCHWEIGER 03/10/2016
RAMS soundtrack | ©2016 Lakeshore Records

There’s a muscular, solitary spirit that hails from The Great White Nord, as well as a natural eccentricity. Perhaps that might explain the individualistic, off-kilter spirit running through even the most bombastic multiplex movies that Icelander Atli Örvarsson has scored in Hollywood. Drawn to Hans Zimmer’s orbit like so many talented western European composers (if geographically located on a mostly frozen volcanic land mass), Örvarsson rose through such American TV shows as DRAGNET and LAW AND ORDER: CRIMINAL INTENT to impress with his surreal film scores for BABYLON A.D. and THE FOURTH KIND. With Viking blood no doubt in his […]Read On »


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THE WITCH: Mark Korven is in a musical thrall – Exclusive Interview

By DANIEL SCHWEIGER
THE WITCH | ©2016 A24 Films

There are horror films and scores that do a good job of scaring you, and then there are others like THE EXORCIST, THE SHINING and A NIGHTMARE ON ELM STREET that truly hit a nerve by making one feel that they’ve taken part in something unholy – or at least that’s if you believe The Satanic Temple’s big thumbs up that THE WITCH is a “transformative Satanic experience.” Whether one feels encouraged to strip naked in the woods and call upon the powers of darkness remains to be seen after a viewing of THE WITCH But one thing that that […]Read On »


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