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CD Review: THE GRANDMASTER soundtrack

By DANIEL SCHWEIGER 11/18/2013
THE GRANDMASTER soundtrack | ©2013 Lakeshore Records

If anything, Wong Kar-Wai’s movies are about the lack of movement, an overrated auteur reputation built on languid pacing and dreamily unreadable characters. All of this makes his choice to make a high-kicking Ip Man picture all the more surprising, and for once interesting. As expected, THE GRANDMASTER comes across as the artsiest Hong Kong chopsocky movie ever made, a stunning visual poetry that often beats down the always-spectacular action choreography by MATRIX master Yuen Woo-Ping. That leaves two musical martial artists named Shigeru Umebayashi and Nathaniel Mechaly to really do the heavy lifting when it comes to conveying physical […]Read On »


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CD Review: HEMLOCK GROVE soundtrack

By DANIEL SCHWEIGER 11/10/2013
HEMLOCK GROVE soundtrack | ©2013 Varese Sarabande Records

While he’s more than shown his blunt orchestral adeptness with the shrieking torture-horror scores for his two unsettling stays in the European HOSTEL,Nathan Barr is a composer who’s most unsettling creative talents lie at home in rustic America. The vampire bayou of TRUE BLOOD has made him the horror-scoring equivalent of Flannery O’Connor, creating music whose dulcimers and stings enticingly reek of Southern gothic black magic. Even when Barr packs up and travels to the imaginary Pennsylvania town of HEMLOCK GROVE, it’s still hard to take the country-sounding horror out of the boy.HOSTEL creator Eli Roth has given this Netflix […]Read On »


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CD Review: ADORE soundtrack

By DANIEL SCHWEIGER
ADORE soundtrack | ©2013 Varese Sarabande Records

You can say there’s something more than uncomfortable about two beautiful best friend cougars getting it on with each other’s sons, even if the pseudo-incest angle is somewhat muted by the fact that these strapping Aussie surfer lads are barely legal at the start of their affairs. Yet ADORE’s mixture of inappropriateness and eroticism is actually beautifully transfixing to look at, let alone listen to with the soothing score by Christopher Gordon and additional composer Antony Partos to lend lyrical heat to what could be far more musically sensational and explicit given the subject matter. Gordon (MASTER AND COMMANDER, MAO’S […]Read On »


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CD Review: PRISONERS soundtrack

By DANIEL SCHWEIGER 11/09/2013
PRISONERS soundtrack | ©2013 WaterTower Music

It’s particularly cool when Hollywood takes a chance on foreign talent, whether it lies across the cold Canadian border with Quebec director Denis Villeneuve, or in Iceland itself in the hiring of composer Jóhann Jóhannsson. This artistic gamble that yields depressively mesmerizing results as two sets of parents cross the moral, and legal boundaries to find their kidnapped children. The results of PRISONERS are sure to entail plenty of church confessional time for them, hence the “holy minimalism” approach taken by Jóhannsson. His PRISONERS is certainly one of the more interesting scores to appear since Johnny Greenwood’s brilliantly bizarre THERE […]Read On »


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CD Review: REVENGE soundtrack

By DANIEL SCHWEIGER
REVENGE soundtrack | ©2013 Intrada Records

Murder, greed and betrayal have always been part and parcel of ABC’s primetime television schedule, especially when dealing with wealthy characters – whether they are a jet-setting dynasty or a bunch of desperate housewives. But among those well-heeled heels, REVENGE has stepped forward as the mother of the network’s female-skewing payback shows, or rather a daughter out to make her dad’s tormentors pay. Now about to claim more villains in season 3, a big part of REVENGE‘s nasty touch of class continues to be come from the singularly credited composer Izler, who’s made sure to get an orchestra to help […]Read On »


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Interview: Composer Steven Price makes GRAVITY soar

By DANIEL SCHWEIGER 10/23/2013
GRAVITY soundtrack | ©2013 WaterTower Music

It’s been said that in space that no one can hear you scream. Yet for all of its astonishing visual, and technical accuracy, I can be fairly certain that the audience will be thankful that GRAVITY has thrown a bone to allow one glaring stylistic inaccuracy to survive in the void. Namely, it’s the emotionally identifiable companion of music that accompanies the lonely roller coaster ride of female astronaut Ryan Stone. For hearing nothingness would be cold comfort indeed, as it’s the innovative scoring of Steven Price that gives GRAVITY‘s black oblivion a feeling, beating heart. Of course, that isn’t […]Read On »


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Exclusive Interview: HAUNTER helmer Vincenzo Natali brilliantly boxes himself in again

By DANIEL SCHWEIGER 10/16/2013
HAUNTER | ©2013 IFC Midnight

If you’re going to be in horror isolation where history repeats itself, then the Canadian filmmaker you’ll want to call to make your lethal purgatory particularly involving is the Detroit-born Vincenzo Natali. A former animation storyboard artist for EEK! THE CAT and TALES FROM THE CRYPTKEEPER (and later the live action Canadian werewolf classic GINGER SNAPS), Natali would announce himself as one of the region’s most interesting genre filmmakers with 1997s CUBE, a razor-room set tale of paranoia that set the critically acclaimed tone for Natali’s involving psychological stress to come, from a corporate spy trying to recapture his consciousness […]Read On »


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CD Review: PAIN & GAIN soundtrack

By DANIEL SCHWEIGER 10/13/2013
PAIN & GAIN soundtrack | ©2013 Varese Sarabande Records

Michael Bay’s career has been based on brain-frying excess, mainlining images of sweaty biceps, barely-fitting bikinis and joyful violence upon the popcorn eating masses. In the process, he’s encouraged his composers to pump the volume to 11 with rampaging walls of muscular rock-fueled orchestras. But where Bay has often been righteously lambasted for being lame-brained in his stylistic choices, the multiplex king now reveals his over-the-top fetishes as the ultimate act of artistic subversion as he plays the amped energy of murderous adrenalin junkies in PAIN & GAIN and in the process encourages his musical confidant Steve Jablonsky to deliver […]Read On »


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CD Review: WILLARD soundtrack

By DANIEL SCHWEIGER 10/12/2013
WILLARD soundtrack | ©2013 La La Land Records

Squeaking, clawing, skittering and doing the polka? These are but some of the musical approximations of being both rat and human screwball that Shirley Walker conjures in her beyond brilliant score for one of the last decade’s most unexpected cult pleasures. As an orchestrator for such macabre Danny Elfman efforts as BATMAN RETURNS and NIGHTBREED, Shirley Walker got to demonstrate a talent for black humor and eccentric orchestrations, seizing upon her abilities for the BATMAN animated series and the hilariously gore-licious FINAL DESTINATION series. It was that gross-out franchise’s creators Glen Morgan and James Wong who had the brilliant idea […]Read On »


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CD Review: AFRICA soundtrack

By DANIEL SCHWEIGER 10/11/2013
AFRICA soundtrack | ©2013 Silva Screen Records

Along with their DR. WHO soundtracks, Silva Screen has seemingly cornered the world market on the music of BBC nature documentaries. Where some of these entries dumbed down animal behavior into the stuff of Carl Stalling antics amidst more noble-minded orchestral grandeur, AFRICA‘s vast, stylistic continent shows why this is the land mass where two-legged intelligence began. Taking on thee task of chronicling every life form and landscape is Sarah Class, a composer whose documentary-filled resume understandably landed her the job with the likes of MYSTERY OF THE WOLF and THE MEERKATS There’s an exceptional level of writing, and elemental […]Read On »


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