Rating: PG-13 Stars: Travis Fimmel, Paula Patton, Ben Foster, Toby Kebbell, Dominic Cooper, Ben Schnetzer, Robert Kazinsky, Clancy Brown, Daniel Wu, Ruth Negga Writers: Charles Leavitt & Duncan Jones, story and characters by Chris Metzen, based on the Blizzard Entertainment video game Director: Duncan Jones Distributor: Universal Release Date: June 10, 2016 First off, WARCRAFT is a movie. Not just in the sense that it’s getting a theatrical release, with projectors and ticket stubs and popcorn and all that good stuff, but also in the sense that its makers have worked at creating characters who have motivations and relationships and […]Read On »
For its first four seasons, THE LEAGUE, the half-hour comedy created by Jackie and Jeff Schaffer, was a staple for FX Network. Now FX is moving THE LEAGUE to its new outlet FXX for the show’s fifth season, which debuted Wednesday September 4 at 10:30 PM, following fellow FX transfer IT’S ALWAYS SUNNY IN PHILADELPHIA, which is now on FXX Wednesdays at 10 PM. Asked about the move, Paul Scheer, who plays THE LEAGUE’s much-bullied Andre, quips, “I was just happy that FXX isn’t a p**n channel. For a little bit, I was confused we’d be there.” Scheer, a native […]Read On »
WORLD OF WARCRAFT‘s band of scoring brothers Neal Acree, Glenn Stafford, Derek Duke and Russell Brower get their sci-fi grlll power on for the Queen of Blade’s great escape in this score to STARCRAFT II: HEART OF THE SWARM that accompanies the expansion pack of WINGS OF LIBERTY. Its exceptional cut scenes generate one of the more crazily stylized scores for the genre, starting off by mashing a galaxy-spanning orchestra by way of the grunge sensibility of its sword and spine-slinging heroine. Sarah Kerrigan’s treated like an ersatz Lisbeth Salander, bringing on the lizard beast hurt with industrial metal rock […]Read On »
While there’s no doubt that what’s left of my life would be gone if I fully ventured into the WORLD OF WARCRAFT, the scores for these games are certainly a journey well worth taking for listeners who want to submerge themselves into fantasy music environments. Like such mythic cinematic score quests as Howard Shore’s LORD OF THE RINGS, these various extensions of WARCRAFT keep adding to the complexity of what will likely be an eternally expanding tapestry of dungeons and dragons. Now the landscape goes beyond the “ethnic” qualities of fantastical good and evil characters to encompass a real-world land […]Read On »
While I don’t know if I’ll ever be a WORLD OF WARCRAFT addict in line for a pwn’ing, there are certainly enough gigantic stylings on this album to suck in a game music novice, let alone anyone who appreciates operatic fantasy scoring. That’s fitting for a CATACLYSM which unleashes a dragon who’d give Smaug a run for his money into WOW’s massive on-line universe, allowing the composing team of Russell Brower, Derek Duke, Neal Acree, David Arkenstone and Glenn Stafford to suit up in ragingly melodic armor. CATACLYSM is awash in a thrilling tone familiar to anyone who’s ever imagined […]Read On »
Jenny Lewis (Lucy Brown) makes a welcome but mostly squandered return appearance as this latest series of PRIMEVAL reaches its penultimate episode. Jenny’s getting married, and when her wedding planner is satisfyingly killed by a Hyaenodon in a plastic-shrouded basement that makes one wonder when the parallel universe Cybermen are going to show up, the ARC team swing into action to help their old friend. Meanwhile, Matt (Ciaran McMenamin) is still struggling with Gideon’s (Anton Lesser) warnings about getting too close to Emily (Ruth Bradley) or anyone else while trying to track down Ethan (Jonathan Byrne). The apocalypse is just around the corner, and one person may be responsible…
A fluctuating anomaly reading draws the special attention of Philip (Alexander Siddig) and leads to the team investigating the evocatively named Witchfield Cove in Episode Five of PRIMEVAL, where the locals have a legend about a giant worm; where’s Kyle MacLachlan when you need him. There are also some shady goings-on around town, and while Connor (Andrew-Lee Potts) and Abby (Hannah Spearritt) check into everything, Matt (Ciaran McMenamin) is forced to chase after an abducted Emily (Ruth Bradley). Connor also has an offer he can’t refuse from Philip about joining a secret project at Philip’s lab, Prospero…but can he refuse it after all if it means leaving ARC field work behind?