CD Review: The Ten Best Scores of 2013

Anthony Gonzalez, Joseph Trapanese / OBLIVION soundtrack | ©2013 +180 Records

THE BOOK THIEF (John Williams / Sony Classical) The kind of unabashedly thematic, and mostly melodic music that’s made John Williams into the most popular film composer of all time is often the sound of innocence itself, an unabated musical youthfulness that he’s also played to ironic effect when dealing with children confronting the unimaginable. Here it’s a genocide that’s heard, but rarely witnessed within a young German girl’s sheltered life during World War 2. Such is the devastating, gentle power that speaks volumes for THE BOOK THIEF‘s score as it encapsulates the innocence, first loves and ultimate shock of […]Read On »


JACK THE GIANT SLAYER Highlights this week in Blu-ray and DVD Releases

JACK THE GIANT SLAYER | (c) 2013 Warner Home Video

Your time is short. We know this. So in order to expedite your buying and Netflix decision making, we provide you with a list of the cool and not-so-cool titles coming out for movies, television and everything in-between. So put your feet up, grab some popcorn and check out this week’s selections. Movies: JACK THE GIANT SLAYER – As big sprawling CG laden films go, JACK THE GIANT SLAYER isn’t a bad movie at all. If you are looking for something that takes the fable of Jack and the beanstalk to an intellectual or heavy plot driven means, this won’t […]Read On »


CD Review: STOKER soundtrack

STOKER soundtrack | ©2013 Milan Records

With his creepily rhythmic fusion of orchestra, rock and electronics, Clint Mansell had been a go-to guy when it comes to capturing a building sense of psychosis, whether it’s cutting-edge synth mad science in PI and MOON, Middle Eastern music possessing a serial killer artist in SUSPECT ZERO, or the cool strings for the teen thrill killers in MURDER BY NUMBERS. But it was Mansell’s ever-more insane twisting of Tchaikovsky for a BLACK SWAN ballerina that really made him a go-to guy for women on the verge of a nervous breakdown. For STOKER, Mansell applies a slightly more groovy classical […]Read On »

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