CD Review: INHERENT VICE soundtrack

INHERENT VICE soundtrack | ©2014 Nonesuch Records

For much of his filmmaking career, Paul Thomas Anderson had used composer Jon Brion to convey his provocative cinematic approach, from the insane percussive assault of PUNCH DRUNK LOVE to the frog-raining, imposing orchestral thunderstorms of MAGNOLIA. In relatively recent years, Thomas has moved onto Radiohead’s Johnny Greenwood to accompany his swings between transfixing brilliance and unbearable pretention, often within the same films. If anything, Greenwood’s music has tended to be even more innovatively insane than Brion’s, ranging between abstract modernism and hypnotic melody to capture the addled minds of kingpins, whether it was an oil baron’s very bad attitude […]Read On »


CD Review: THE MASTER soundtrack

THE MASTER soundtrack | ©2012 Nonesuch Records

For better and worse, Paul Thomas Anderson is making movies like no one else out there, beautifully done pictures about the ugliness of the human soul. And he’s discovered composers as confrontational as his subject matter, from the ceaselessly surging strings of Jon Brion’s MAGNOLIA to the bizarrely overt percussion of his PUNCH DRUNK LOVE. But nothing resembled the unique milkshake thunderclap of former Radiohead member Johnny Greenwood’s brilliantly experimental approach to THERE WILL BE BLOOD, his at times agonizingly dissonant music capturing the hateful psyche of an oil tycoon. Now Greenwood’s way of playing subtext while outwardly sounding like […]Read On »

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