Rating: R/Unrated Stars: Paul Kelman, Lori Hallier, Neil Affleck Writer: John Beaird based on a concept by Stephen Miller Director: George Mihalka Distributor: Shout! Factory Suggested Retail Price: $34.93 The 1981 slasher film MY BLOODY VALENTINE continues to have its fans and cult following after 39 years, but it’s also a film that was plagued by MPAA cuts upon its initial release. During the height of the slasher craze, there was a rash reaction to overthink the extreme violence in these horror movies and the hyper-realistic practical gore and kills which fans loved. Hence, the MPAA would slice, dice and […]Read On »
Stars: Cecile Bagdadi, Joel S. Rice, Ralph Brown, DeAnna Robbins, Sherry Willis- Burch Writer-Director: Jimmy Huston Suggested Retail Price: $24.97 Distributor: Shout! Factory Supply and demand for slasher flicks fueled the early 1980s as every low budget production company wanted to get into the horror movie genre. They were cheap to make, didn’t need stars and audiences ate them up. You also didn’t have to be a studio to make bank on these films. FINAL EXAM is the product of the HALLOWEEN and FRIDAY THE 13th school of slasher horror films. Pick a holiday or event, have the movie set […]Read On »
There have been many movies that have lost out on nabbing that Best Picture Oscar, but 1981’s REDS was probably the most glaring snub. Even though it was nominated for 12 awards and writer-director-producer and actor Warren Beatty won Best Director, the film ultimately lost out to CHARIOTS OF FIRE. Now, 30 years later, it’s clear that REDS was the more deserving movie which transformed the life of Socialist activist, writer and journalist John Reed into a sprawling three and a half hour saga. To honor its anniversary, the 2011 TCM Film Festival had a special screening Saturday night, and […]Read On »
While speaking at the 2011 TCM Classic Film Festival screening of his 1981 epic film REDS with moderator Alec Baldwin, writer-director-producer-actor Warren Beatty spoke about wanting to make more movies, but admitted he was a sluggish decision maker. “There’s a point where this little thing called life [happens],” says Beatty. “I have an 11-year-old, a 14-year-old, a 16-year-old and now a just turned 19-year-old. With each one of them, I feel that I have four small Middle Eastern countries I have to negotiate with. Each one of them is more interesting than five movies. But I’m going to make another […]Read On »
Where POLTERGEIST stands as a landmark in how mostly traditional instruments and orchestrations could be used to create an unearthly tone, rock-centric music certainly wasn’t a slouch at digging into those same fear centers, perhaps with even more chilling results. It’s likely no band did it better than Goblin, an Italian group that turned the progressive vibe pioneered by the likes of Pink Floyd and Zeppelin to far darker ends, using acid builds of electronics, strumming guitars and wailing voices to become escalating webs of fear, the big solo usually accompanying some unlucky woman’s evisceration in such classic scores as DEEP RED and SUSPIRIA.