BATTLE: LA director reveals WRATH OF THE TITANS plans

CLASH OF THE TITANS (2010) movie poster | ©2010 Warner Bros.

While speaking to the press yesterday for the new alien invasion flick BATTLE: LA (which hits theaters on March 11), director Jonathan Liebesman was actually rather forthcoming about his plans for his next film WRATH OF THE TITANS, the sequel to last year’s CLASH OF THE TITANS. Taking over for director Louis Leterrier, Liebesman says he will take the best from CLASH and then make the rest his own. “I approach each thing as if it’s your own film,” says Liebesman who says his approach will be more realistic than in the original. “I’m not going to do as an […]Read On »


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CD Review: SANCTUM soundtrack

Sanctum soundtrack | ©2011 Varese Sarabande

When I hear a score that’s as unabashedly huge as SANCTUM, I’m reminded of the recent, end-of-an-era passing of John Barry- a composer unafraid to swim in waves of lush melody, always writing music that would be heard loud and beautifully clear over even the most effects-filled soundtrack. While I’m not saying that David Hirschfelder is in that composer’s league, his symphonically bursting score for SANCTUM packs that kind of melodic ballsiness, even if there’s zero romance to be found in this delightfully cornball, testosterone-filled movie where a bunch of fellow Aussies spend as much time screaming at each other […]Read On »


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Movie Review: SANCTUM

SANCTUM movie poster | ©2011 Universal Pictures

James Cameron, who executive-produced SANCTUM, is famous for his love of diving, and although he did not direct this film, that passion and its cause are evident throughout. We see one breathtaking underwater vista after another, brought to us in uncommonly effective 3D. Most films waste the format – not so SANCTUM. Under Alister Grierson’s direction, we get a wonderful sense of how rock shelves in caves stretch out at a particular distance and we practically get vertigo watching water thunder down deep drops. Indeed, as the film opens and we have one of our few encounters with civilization, a few roof shacks appear to extend out into the theatre, roughly two rows in front of the viewer. It’s great.


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