CD Review: ROSWELL and COMMUNION soundtracks

By DANIEL SCHWEIGER 06/04/2014
ROSWELL and COMMUNION soundtracks | ©2014 Buysoundtrax

After respectably re-performing John Carpenter and Ennio Morricone’s THE THING,  Buysoundtrax now breaks the ice on two lesser-known “true life” alien scores, one involving the human probing done on some accidental visitors to ROSWELL, then playing a writer’s metaphysical close encounter for COMMUNION. Yet despite the role-reversals, both scores are tried together by a lyrical approach steeped in mystery, and a sense for peaceful understanding, even if that might not be the government’s aim for the first 1994 Showtime movie, which continued composer Elliot Goldenthal’s streak of memorable genre scores following PET SEMETARY, ALIEN 3 and DEMOLITION MAN. While taking […]Read On »


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CD Review: PET SEMATARY soundtrack (2,000 Limited Edition)

By DANIEL SCHWEIGER 02/02/2014
PET SEMETARY soundtrack | ©2013 La La Land Records

There are certain horror films and soundtracks that transgress barriers by blending art and shock, a la PSCYHO and THE EXORCIST. Then there are some that just plain old scare the shit out of us with the yuck factor of seeing a sweet near-toddler rip the throat out of Fred Gwynne to the accompaniment of children’s lullabye voices. Such is the unnerving, brilliantly distasteful power of Mary Lambert’s PET SEMATARY and the dawning of a composer who’d re-write the book on experimental scoring in Hollywood for Stephen King’s most unnervingly sadistic film adaptation, with a screenplay by King himself no […]Read On »


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CD Review: BATMAN FOREVER: LIMITED EDITION soundtrack (3,500 limited edition)

By DANIEL SCHWEIGER 02/19/2012
BATMAN FOREVER soundtrack | ©2012 La La Land Records

Where it seemed that the first two scores in the BATMAN franchise were as crazy as you could get with the Wagnerian approach to superhero scoring, then Elliot Goldenthal’s next two entries made Danny Elfman’s brilliant, demon circus takes seem positively somnambulant in comparison. If anything, Goldenthal’s BATMAN FOREVER and BATMAN AND ROBIN scores are like two alarm clocks, screaming through your senses as they mash together the 60’s jazz kitsch that Neil Hefti gave to the television show, along with the brash, brassy experimentalism of John Corigliano’s concert hall works in the 80’s- modernism that changed the face of […]Read On »


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Exclusive Photos: From the Los Angeles Premiere of THE TEMPEST

By SUE SCHNEIDER 12/14/2010
Helen Mirren at the Los Angeles Premiere of THE TEMPEST | ©2010 Sue Schneider

Touchstone Pictures and Miramax Films held the Los Angeles Premiere of THE TEMPEST at the El Capitan Theatre in Hollywood on December 6th. Across the street at the Grauman’s Chinese Theater was the premiere of Paramount’s THE FIGHTER, so needless to say Hollywood was very busy and the street was closed from Highland to Orange for this special night. This was not the first time that two premieres were held almost at the same time, but it was timed so that after I finished shooting THE TEMPEST, I was able to go over and cover THE FIGHTER. Academy Award-nominated Julie […]Read On »


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