The Year in Review: The Best Scores of 2014

Marco Beltrami and the SNOWPIERCER soundtrack | ©2014 Varese Sarabande Records

THE BEST SCORES OF 2014 AUTOMATA (Zacarias M. de la Riva / Movie Score Media) Scores like A.I. and I, ROBOT have portrayed automatons as having infinitely more soul than their human creators, a purity of electronic spirit that makes them closer to God than any flesh and blood creation. No score has religiously captured that spiritual ghost in the machine with the beautiful, beatific quality of Zacarias M. de la Riva, whose transcendent use of the chorus, and the anguished, spare strings of homo sapien despair merge for a moving requiem to the human race, while signaling the birth […]Read On »

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CD Review: MILLION DOLLAR ARM soundtrack

MILLION DOLLAR ARM soundtrack | ©2014 Walt Disney Records

When A.R. Rahman first gained Oscar-winning attention in the western world for SLUMDOG MILLIONAIRE, it was as if some musical pitch hitter had arrived from nowhere, able to capture the exotic rhythms of his heritage via a pop beat as fresh as any album-spinning club kid (despite the fact that this relatively youthful composer-producer had been updating ancient Indian beats for quite some time). It’s a situation that couldn’t have made Rahman a better composer to play the sweet culture clash of a bunch of cricket players from the continent being potentially thrust into major league baseball for this Disney […]Read On »

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CD Review: 127 HOURS Original Soundtrack

© 2010 Interscope Records | 127 Hours Soundtrack

When it comes to grooving filmmakers, Danny Boyle just might be the most creative D.J.-cum-director of them all. Cutting his movies to the fierce energy, and hallucinatory rhythms of a rave with particularly good drugs, Boyle’s best, confrontational imagery has pulsated with often-improbable mix tapes of score and songs, creating any number of memorably crazy scenes. Scottish addicts did screwball crimes to Iggy Pop’s “Lust for Life” in TRAINSPOTTING, the religious strains of “Ave Maria” gave way to the rabid zombie guitar run of John Murphy’s score to 28 WEEKS LATER before that composer teamed with the electro group Orbital […]Read On »

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