Interview: EDGE OF TOMORROW composer Christophe Beck stays alive with his first sci-fi score
In the two or so decades since Christophe Beck followed Howard Shore and Mychael Danna as one of Hollywood’s most valuable Canadian composing imports, the burly, bearded and bespectacled musician has become an exemplar on how to incorporate a pop-rock sensibility into an old school, and often orchestral talent for melody. It’s a hummable talent that’s made him a go-to guy for teen hijinks (THE PERFECT MAN, A CINDERELLA STORY), rhythmically swooning romance (GUINEVERE, UNDER THE TUSCAN SUN), talking animals (GARFIELD, THE MUPPETS) and thoroughly R-rated bad boy behavior (THE HANGOVER, HOT TUB TIME MACHINE) – all before really hitting […]Read On »


