Sometimes more of a good thing is just great, which is the case with the Coen Brothers’ (Ethan & Joel) remake of TRUE GRIT. The 1969 original, based on Charles Portis’ novel, won an Oscar for John Wayne as Rooster Cogburn, a one-eyed, alcoholic U.S. marshal who reluctantly takes up the quest of tracking down the man who murdered the father of fourteen-year-old Mattie Ross (Kim Darby in that version) – with Mattie doggedly accompanying him.
It’s ironic that two of the coolest wild west scores to arrive in years both hail from Down Under, as Dmitri Golovko’s RED HILL joins Nick Cave and Warren Ellis’ THE PROPOSITION as prime examples of how to give an old musical warhorse a shot of ferocious outlaw energy. But where PROPOSITION’s nerve-jangling percussion brought modern experimentalism to a blood-soaked period piece, RED HILL shoots its raw, old-school acoustic sound into a contemporary western- in this case playing the last stand outback sheriff standing against a recently released villain out for some biblical payback. There’s very little that’s Aussie here […]Read On »
Poor Shawn Cooper (Ryan Kwanten). He and his pregnant wife Alice (Claire van der Boom) arrive at the tiny Outback town of Red Hill, where Shawn has been transferred, per his request, to be a new deputy. Shawn walks into town from his new house to meet his fellow deputies – a mixed lot – and their boss, known as Old Bill (Steve Bisley), a cantankerous but effective lawman who seems to have seen it all. Then the radio reports that convicted murderer Jimmy Conway (Tommy Lewis) has escaped from prison. Tommy was a local man and Old Bill put him away. Now it looks like the extremely dangerous escapee is heading into Red Hill for revenge. Shawn winds up in situations he never imagined as things get more and more perilous.
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