Exclusive Interview: KIDS IN THE HALL member Dave Foley gets his Christmas jollies on LEVERAGE

By CARL CORTEZ 12/07/2010
Dave Foley in KIDS IN THE HALL: DEATH COMES TO TOWN | © 2010 IFC

Is it the winter season or the extra special Christmas bonus to Season Three? That’s the question surrounding the last three episodes of LEVERAGE, which begin airing this Sunday night (December 12) on TNT. First up is the official Christmas-themed episode “The Ho, Ho, Ho Job” where the Leverage team spearheaded by mastermind Nate Ford (Timothy Hutton) take down a shady department store Santa operation followed by the two-hour season finale airing December 19 that finally reveals the season’s Big Bad Damien Moreau (played by ER’s Goran Visnjic). To kick off the holiday spirit with a comedic chaser, ASSIGNMENT X […]Read On »


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Movie Review: RARE EXPORTS: A CHRISTMAS TALE

By ABBIE BERNSTEIN 12/03/2010
RARE EXPORTS - A CHRISTMAS TALE - U.S. Poster | © 2010 Oscilloscope Laboratories

If THE X-FILES had decided to do a Christmas episode for the R.L. Stine set, it might have been something like RARE EXPORTS: A CHRISTMAS TALE. Made and set in Finland, general vicinity where the mythical Santa supposedly dwells, RARE is a horror movie pitched at kids, with bits of gore (dead animals, a bitten ear) but mostly a sense of menace and black comedy.


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CD Review: ON A DARK AND STORMY NIGHT soundtrack

By DANIEL SCHWEIGER 11/23/2010
© 2010 Buysoundtrax Records | On A Dark and Stormy Night Soundtrack

In the movie ON A DARK AND STORMY NIGHT, a bunch of Halloween revelers get a very nasty tricks played to their quickly decimating numbers in this aptly titled horror film, which features an appropriately creepy score by Albanian composer Aldo Shllaku. Though he might not have a 100-piece orchestra at his command, Shllaku has obvious fun with the musical tropes of a black-humored body count. What really socks him over as a composer to not turn your back on are ferocious bursts of a pipe organ and throttling rock guitar riffs. Combine these unexpected treats with any bunch of […]Read On »


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Movie Review: RED HILL

By ABBIE BERNSTEIN 11/05/2010
© 2010 Destination Films|RED HILL Movie Poster

Poor Shawn Cooper (Ryan Kwanten). He and his pregnant wife Alice (Claire van der Boom) arrive at the tiny Outback town of Red Hill, where Shawn has been transferred, per his request, to be a new deputy. Shawn walks into town from his new house to meet his fellow deputies – a mixed lot – and their boss, known as Old Bill (Steve Bisley), a cantankerous but effective lawman who seems to have seen it all. Then the radio reports that convicted murderer Jimmy Conway (Tommy Lewis) has escaped from prison. Tommy was a local man and Old Bill put him away. Now it looks like the extremely dangerous escapee is heading into Red Hill for revenge. Shawn winds up in situations he never imagined as things get more and more perilous.


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Movie Review: MONSTERS

By ABBIE BERNSTEIN 10/08/2010
MONSTERS movie poster | ©2010 Magnet Releasing

MONSTERS is an inventive low-budget blend of science-fiction, horror, character study and political parable. It hits this last aspect a bit hard, but otherwise, it’s very entertaining. Director/writer Gareth Edwards admirably avoids the one-two-three-something-jumps-out-of-the-dark scares common to creature features in favor of a steady sense of tension. The film has the “what-if?” factor of DISTRICT 9, the giant entities wreaking havoc of CLOVERFIELD, the astonishing natural splendor of its Mexican/Central American locations and the soul of a low-budget indie.


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Movie Review: MY SOUL TO TAKE

By ABBIE BERNSTEIN
MY SOUL TO TAKE movie poster | ©2010 Rogue Pictures

Wes Craven’s most famous filmmaking creation is still arguably the NIGHTMARE ON ELM STREET franchise, but the supernatural aspects of his latest offering as writer/director, MY SOUL TO TAKE, are closer to those in THE SERPENT AND THE RAINBOW and SHOCKER. What’s surprising is that SOUL is sincere about depicting the high school travails of its main characters – this goes well beyond the interest SCREAM (directed by Craven, written by Kevin Williamson) showed in such things. Instead, it’s as though the horror elements of SOUL were married to a John Hughes movie, or even Craven’s school-orchestra drama MUSIC OF THE HEART. Plenty of horror films (including a number of Craven’s) are set in and around high school, but few deal this extensively with high school. The shift in emphasis is a bit surprising, but on the whole, it works.


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