For a manly composer, John Debney has frequently been called upon to sound like a honey-haired escort, no doubt due to his talent for effortlessly conjuring the sweet, heavily-stringed romantic vibe that spells “chick flick” score at the box office. Yet Debney’s rapidly been showing the town he’s a jack-of-all-trades, especially with last year’s zanily ferocious scores to PREDATORS and MACHETE. So it’s equally no surprise that Debney can devolve his rom-com sound to the mid-20’s age of NO STRINGS ATTACHED’s likable bed-hoppers, and sound more authentically creative than ever in the genre. The same thing can be said for […]Read On »
Sometimes there is no accounting for what turns people on, let alone what people think will turn other people on. Natalie Portman and Ashton Kutcher are, together and separately, talented and attractive, and there’s nothing really offensive about their romantic comedy NO STRINGS ATTACHED. True, it defies logic and credibility in several major ways and its tone manages to be bland yet inconsistent, but it’s not mean-spirited, which gives it some points.