Exclusive Photos from Marvel Studios’ THOR: RAGNAROK World Premiere

Chris Hemsworth at the World Premiere of Marvel Studios’ THOR: RAGNAROK

Marvel Studios’ held the world premiere of THOR: RAGNAROK at the El Capitan Theatre on October 10th. It was a huge premiere closing down Hollywood Boulevard with fans lining the street and the screams as the stars arrived were deafening! Chris Hemsworth is back as Thor in this brand-new, action-filled adventure. Joining Chris on this night were the stars of the film, which included: Tom Hiddleston, Cate Blanchett, Mark Ruffalo, Tessa Thompson, Karl Urban, Jeff Goldblum, Rachel House, Clancy Brown, Ray Stevenson, Kevin Feige (Producer), Taika Waititi (Director), Eric Pearson (Screenwriter), Christopher L. Yost (Writer) and Brad Winderbaum (Producer, Executive, […]Read On »

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CD Review: 21 and 22 JUMP STREET soundtracks

22 and 21 JUMP STREET soundtrack | ©2014 La La Land Records

Far from signaling film scoring Devo-lution, ex-cult rocker Mark Mothersbaugh has consistently proven himself as one of Hollywood’s most wackily animated composers, loading his work with hip retro samples, wacky rhythms and knowingly bombastic strings. It’s a child-like glee that’s often having fun with his assignments while satirizing them at the same time, an ironic, adrenalin sense of fun that most recently hit it awesomely big for filmmakers Phil Lord and Christopher Miller with THE LEGO MOVIE, a road of unabashed energy that began in CLOUDY WITH A CHANCE OF MEATBALLS. But Mothersbaugh’s most hilariously satiric work for the duo […]Read On »

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CD Review: LAST VEGAS soundtrack

LAST VEGAS soundtrack | ©2013 Varese Sarabande Records

Where he was once known for musical Devo-lution, Mark Mothersbaugh has evolved into one of Hollywood’s most versatile composers, showing a colorful, chameleon-like range from SAFE‘s slam-bang urban action to the cartoon energy of CLOUDY WITH A CHANCEMEATBALLS and RUSHMORE‘s Baroque irony. Now given a trip to the Neon City with a bunch of very much breathing codgers, Mothersbaugh adapts quite nicely to the fender Rhodes organ funk that inflects just about every movie score to feature over-the-hill gangs from STAND UP GUYS  to THE INCREDIBLE BURT WONDERSTONE and any number of “Oceans” sequels. But then again, what better style […]Read On »

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