Movie Review: NIGHT PATROL

By ABBIE BERNSTEIN 01/16/2026
NIGHT PATROL movie poster | ©2026 RLJE Films/Shudder

Rating: R Stars: Jermaine Fowler, Justin Long, Freddie Gibbs, RJ Cyler, Keenon Dequan “YG” Ray Jackson, Nicki Micheaux, Flying Lotus, Phil Brooks, Dermot Mulroney, Jon Oswald, Nick Gillie, Zuri Reed Writers: Shaye Ogbonna & Ryan Prows & Tim Cairo & Jake Gibson Director: Ryan Prows Distributor: RLJE Films/Shudder Release Date: January 16, 2026 By now, it is known that there really are, unfortunately, gangs operating within police and sheriff’s departments across the U.S. These gangs are largely protected from investigation and prosecution by virtue of their badges, which leads to a lot of illegality on the part of sworn law […]Read On »


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Movie Review: STING

By ABBIE BERNSTEIN 04/12/2024
STING movie poster | ©2024 Well Go USA Entertainment

Rating: R Stars: Ryan Korr, Alyla Browne, Penelope Mitchell, Robyn Nevin, Noni Hazlehurst, Silvia Colloca, Danny Kim, Jermaine Fowler Writer: Kiah Roache-Turner Director: Kiah Roache-Turner Distributor: Well Go USA Entertainment Release Date: April 12, 2024 STING is a decent family drama playing out inside a giant alien spider movie. There is a fair amount of overlap in the plotting, especially in the film’s latter portions, but the further we get into it, the more we understand the flash-forward start. Without it, STING would take quite a long time to get to its main horror action. Directed and written by Kiah […]Read On »


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Movie Review: SORRY TO BOTHER YOU

By ABBIE BERNSTEIN 07/06/2018
SORRY TO BOTHER YOU movie poster | ©2018 Annapurna Pictures

Rating: R Stars: Lakeith Stanfield, Tessa Thompson, Jermaine Fowler, Omari Hardwick, Terry Crews, Kate Berlant, Michael X. Sommers, Danny Glover, Steven Yeun, Armie Hammer, Forest Whitaker Writer: Boots Riley Director: Boots Riley Distributor: Annapurna Pictures Release Date: June 6, 2018 SORRY TO BOTHER YOU is agitprop comedy cinema at its most pointed. Director/writer Boots Riley has devised a wicked social satire that takes on race, economics, the corporate state and more. It’s often simultaneously funny and depressing in how close its outrageousness is to reality. Even when the third act takes a turn into sci-fi, the metaphors are grounded. Our […]Read On »


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