BILLIONS: Brian Koppelman chats about the new Showtime series – exclusive interview

BILLIONS | © 2016 Showtime

In Showtime Networks’s new Sunday night drama BILLIONS, Damian Lewis plays hard-charing wealthy Wall Street trader Bobby “Axe” Axelrod, who is the target of Paul Giamatti’s ruthless U.S. District Attorney Chuck Rhoades. Adding to the complications, Chuck’s wife Wendy (Maggie Siff) is a professional advisor at Bobby’s firm. BILLIONS was created by the writing team of Brian Koppelman and David Levien, in collaboration with Andrew Ross Sorkin. All three are executive producers on the series. Koppelman and Levien’s first produced screenplay was the cult favorite poker movie ROUNDERS. The pair’s later credits include the scripts for RUNAWAY JURY and OCEAN’S […]Read On »


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BILLIONS: Damian Lewis on his new Showtime series – Exclusive Interview

Damian Lewis in BILLIONS - Season 1 | ©2016 Showtime/James Minchin

In Showtime Network’s new drama BILLIONS, premiering Sunday, January 17 (the first episode is available for sampling on multiple platforms for free the weekend of January 15-17), Damian Lewis stars as Bobby Axelrod. Bobby, an up-from-the-working-class Wall Street hedge fund billionaire, is the king of his company. However, U.S. Attorney Chuck Rhoades, is making it his mission in life to take Bobby down. The London-born Lewis is no stranger to Showtime, having spent three seasons on HOMELAND as deeply conflicted, captured U.S. Marine-turned-terrorist-turned double agent Nicholas Brody, a role that earned him a Lead Actor Emmy Award. Since then, Lewis […]Read On »


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Movie Review: RUNNER RUNNER

RUNNER RUNNER movie poster | ©2013 20th Century Fox

Rating: R Stars: Justin Timberlake, Ben Affleck, Gemma Arterton, Anthony Mackie, John Heard Writers: Brian Koppelman & David Levien Director: Brad Furman Distributor: 20th Century Fox/Regency Release Date: October 4, 2013 In real life and in movies, smart and talented young men are swept off their feet business-wise by older and more successful men. This tale is told often, but it seems to resonate more with filmmakers and actors than it does with audiences, mainly because there has to be something beyond just the familiar plot mechanics to make it resonate, and too often, the directors and writers confuse window […]Read On »


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