Search Results for: horror soundtracks

Composer Paul Haslinger gives a furious groove to RESIDENT EVIL: THE FINAL CHAPTER – Interview

RESIDENT EVIL: THE FINAL CHAPTER soundtrack | ©2017 Milan Records

When synth retro is all the rage in today’s scoring scene with the likes of STRANGER THINGS and IT FOLLOWS, Paul Haslinger can count himself as one of the O.G. genre gangsters whose exciting music for creatures, gunplay and kick-ass heroes has never stopped mutating. An Austrian bandmate in the seminal progressive synth-rock group Tangerine Dream during such seminal soundtrack likes as NEAR DARK and MIRACLE MILE, Haslinger immigrated to Hollywood with a prolifically successful scoring career. He’d venture from the cool, teen-centric electronic grooves of such scores as CHEATERS, CRAZY / BEAUTIFUL and BLUE CRUSH to a career-making partnership with the vampiric Lycan slayer Selene on […]Read On »


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Benjamin Wallfisch scores A CURE FOR WELLNESS – Interview

A CURE FOR WELLNESS soundtrack | ©2017 Milan Records

Madness and the curse of centuries-old grotesqueries have rarely been as elegantly conveyed as A CURE FOR WELLNESS, an auspicious entry into the time-honored genre of the sane man trapped in an insane asylum – or in this case a Swiss Alps spa seemingly dedicated to the spiritual, and physical health of its decrepit well-healed clientele. Much like a funeral director with obsessive detail to make an unholy mess spic and span, PIRATES OF THE CARIBBEAN and RING director Gore Verbinski has ensured that his institute resounds with old world, aristocratic class, all the better to hide the demonic suffering its delightfully […]Read On »


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THE BEST SCORES OF 2016 – Part Two – The Runners Up and Composers to Watch

SWISS ARMY MAN soundtrack | ©2016 Lakeshore Records

The Runners-Up and Composers to Watch of 2016 The Runners-Up CAPTAIN FANTASTIC  (Alex Somers / Lakeshore) More proof that those in touch with Iceland’s musical spirit animal are blessed with an ability to capture profound emotion through unusual means, American-born Alex Somers’ work with the band Sigur Ros (and its essential continuation with its bandmate as Jonsi and Alex) now yields a score of singular spirituality as Somers tracks a family of ultra liberals who’ve have truly gone off society’s reservation. His soundtrack’s beautifully ethereal melodies are a unique mix of alt. rock sampling, angelic choruses, Native American winds, accordion […]Read On »


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THE BEST SCORES OF 2016 – Part One

ARRIVAL soundtrack | ©2016 Deutsche Grammophon

THE BEST SCORES OF 2016 ARRIVAL  (Johann Johannsson / Deutsche Grammophon) An Icelander whose intensely psychological, yet still melodically accessible modernist scores like PRISONERS and SICARIO speak in alien languages of subsonic strings and nerve-chilling brass at last gets his actual close encounter as he translates the Rorschach Test language of obelisk / monolith dwelling inter-dimensional deities here. Johannsson brilliantly captures both a sense of wonder and fear with beholding the mind-boggling, verbally-scrambled unknown as whale cry motifs join with alternately moaning and chattering voices, backed by a strong orchestral sound that serves as a powerful universal musical translator in a way that’s […]Read On »


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ARRIVAL: Composer Johan Johannsson learns to speak in alien tongues – Interview

ARRIVAL soundtrack | ©2016 Deutsche Grammophon

Maybe it’s something in the water in Iceland that’s produced an invasion of mournfully beautiful and stylistically innovative musicians, each setting out to revolutionize the word with a tonal language of ear-opening, futuristic art. In much the same way that Bjork has caught the world’s attention with her mind blowing take on pop, Johann Johannson has been terraforming a sometimes typical landscape of film scoring into a thing of haunting beauty. Listening to such works as PRISONERS, McCANICK, FREE THE MIND and his Oscar-nominated THE THEORY OF EVERYTHING and SICARIO are haunting journeys into humanity at its worst, and best. Low, nearly sub-sonic […]Read On »


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CD Review: THE INVITATION soundtrack

THE INVITATION soundtrack | ©2016 Lakeshore Records

A truly versatile composer when not superbly cranking out comedy scores like SPY, ZOOLANDER 2 and the forthcoming GHOSTBUSTERS reboot, Theodore Shapiro has shown an inventive affinity for typewriter-clicking drama with TRUMBO and creepily ethereal horror when ogling JENNIFER’S BODY. But it’s with THE INVITATION that Shapiro proves like never before just how unfunny he can be upon entering a suicide cult’s dinner party, as staged by JENNIFER director Karyn Kusma. Given a bloody desert as served by hosts straight out Heaven’s Gate, Shapiro’s weapon of choice is a single, overdubbed violin to further ratchet the tension. Where string playing of this sort is usually […]Read On »


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GREEN ROOM: Brooke and Will Blair on taking a soft scoring approach to punk ultra-violence – Interview

GREEN ROOM soundtrack

When it comes to wreaking musical mayhem, film scores from micro-budgeters to multiplex tentpoles have beaten the band with percussive savagery, raging strings and knife-stab samples. But where these soundtracks have tried be even more murderous than the slashing blades, gun shots and assorted blunt instruments they accompany, Brooke and Will Blair have shown that one can effectively conjure brutality by speaking softly and carrying a big ambient stick. The Blair’s talent for lethally hypnotic minimalism has been an especially potent weapon in the films of Jeremy Saulnier. Mutually beginning their careers with 2007’s humorously sadistic indie thriller MURDER PARTY, the […]Read On »


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Blu-ray Review: DEATH WALKS TWICE

DEATH WALKS TWICE | © 2016 Arrow Video

Arrow Video has putting out some really good titles over the past couple of years digging dip into the bowels of moviedom and coming out with rare gems that have been converted into high definition. Unfortunately, DEATH WALKS TWICE isn’t one of these gems but isn’t half bad either. The double disc set includes two films from director Luciano Ercoli—DEATH WALKS AT MIDNIGHT and DEATH WALKS ON HIGH HEELS—both starring Italian actress Nieves Navarro (billed under the name Susan Scott). In the first film, DEATH WALKS ON HIGH HEELS, Navarro plays a cabaret dancer that is being hunted by someone […]Read On »


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THE WITCH: Mark Korven is in a musical thrall – Exclusive Interview

THE WITCH | ©2016 A24 Films

There are horror films and scores that do a good job of scaring you, and then there are others like THE EXORCIST, THE SHINING and A NIGHTMARE ON ELM STREET that truly hit a nerve by making one feel that they’ve taken part in something unholy – or at least that’s if you believe The Satanic Temple’s big thumbs up that THE WITCH is a “transformative Satanic experience.” Whether one feels encouraged to strip naked in the woods and call upon the powers of darkness remains to be seen after a viewing of THE WITCH But one thing that that […]Read On »


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Composer George Fenton parks with THE LADY IN THE VAN – Interview

THE LADY IN THE VAN soundtrack | ©2016 Sony Classical Records

If one might have the cliched attitude of old school English composers as adhering rigorously to the classically imperious music of Queen and Country, then they likely haven’t heard much of George Fenton’s prolific work over the last four or so decades, let alone had a crotchety, crazy old lady parked in their driveway for fifteen of them. Not only has Fenton contributed one of his most delightfully attitude-filled scores to represent THE LADY IN THE VAN, but he also has the distinction of having actually met the fearsome Ms. Shepherd, a curmudgeonly homeless woman who became a grudgingly accepted […]Read On »


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