Though taken for granted by today’s collectors, being able to get the actual, original tracks for a film score has only been a relatively recent development. What most fans received for decades were performances done after the fact by the likes of Henry Mancini, Jerry Goldsmith and John Williams, who took the most melodically accessible tracks from a given film, then lushly arranged them for albums that barely topped the half hour mark. Before Elmer Bernstein specifically marketed these types of re-performances specifically for the soundtrack appreciator market with his “Film Music Collection” label (whose Film Score Monthly box set […]Read On »COMMENTS (0)
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