With a real talent for playing intimate orchestral emotion, Marcelo Zarvos is making a name for himself when it comes to psychological dramas from THE BEAVER to THE WORDS and even the sweetly pokey scoring for ENOUGH SAID (now out as a Varese limited edition). It’s a feeling for the mysterious nature of human relationships that gets a Hitchcockian treatment as Annette Benning’s widow suffers a non-lethal case of vertigo after becoming enamored with a dead ringer for her husband. Going for the kind of richly emphatic, strongly theme-driven emotion that other composer’s might fear to tread in, Zarvos captures […]Read On »COMMENTS (1)
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