It’s finally time to snatch a pebble out of Film Score Monthly’s hand with this soundtrack two-fer, which combines music from two poetically different scores for men seeking their way in the American outback. The first traveler just happens to be everyone’s favorite Shaolin fugitive monk Cain, whose mystical tête-à-têtes with his teachers are front and center through much of KUNG FU. Though designed as a concept album in 1973 by composer Jim Helms, some score purists might take umbrage to so much dialogue on an FSM release. Yet it’s almost hard to imagine Helms’ harmonies without the Confucianisms, the […]Read On »COMMENTS (0)
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