Where he was once known for musical Devo-lution, Mark Mothersbaugh has evolved into one of Hollywood’s most versatile composers, showing a colorful, chameleon-like range from SAFE‘s slam-bang urban action to the cartoon energy of CLOUDY WITH A CHANCEMEATBALLS and RUSHMORE‘s Baroque irony. Now given a trip to the Neon City with a bunch of very much breathing codgers, Mothersbaugh adapts quite nicely to the fender Rhodes organ funk that inflects just about every movie score to feature over-the-hill gangs from STAND UP GUYS to THE INCREDIBLE BURT WONDERSTONE and any number of “Oceans” sequels. But then again, what better style […]Read On »COMMENTS (0)
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