It’s been a twelve-year trek for Burkhard Dallwitz to re-unite with director Peter Weir since THE TRUMAN SHOW. And while Dallwitz certainly didn’t undergo the trans-continental travails of THE WAY BACK, the stirring empathy that he gives to his second, and long overdue collaboration with Weir certainly pays tribute to the need for freedom, one that drove the film’s characters from Siberia to India. As the soundtrack starts out with an eerie mix between dark orchestral sustains, gnarled chords, subdued ethnic percussion and an overall aura of unknowable doom, you might think you’re listening to a soundtrack about Gulag escapees […]Read On »COMMENTS (0)
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