THE CONGRESS composer Max Richter waltzes once again – Interview
In the world of modern classical-cum-film composers, few musicians are doing more to stretch sonic boundaries than the German-born, London-located musician named Max Richter. Making his way from stage to ballet and concert hall ensembles, Richter’s early work impressed as it often combining beautifully solemn string melodies with an alt. electronic attitude. Concept albums like “Memoryhouse” and “The Blue Notebooks” sung with Richter’s unique admiration for such composers as Philip Glass and John Adams, not to recently mention his wittily hip deconstruction of Vivaldi for “The Four Seasons.” It was this mesmerizing sound that mixed aching melodies with a hip […]Read On »
Loading ...
