THE BEST SCORES OF 2016 – Part Two – The Runners Up and Composers to Watch

SWISS ARMY MAN soundtrack | ©2016 Lakeshore Records

The Runners-Up and Composers to Watch of 2016 The Runners-Up CAPTAIN FANTASTIC  (Alex Somers / Lakeshore) More proof that those in touch with Iceland’s musical spirit animal are blessed with an ability to capture profound emotion through unusual means, American-born Alex Somers’ work with the band Sigur Ros (and its essential continuation with its bandmate as Jonsi and Alex) now yields a score of singular spirituality as Somers tracks a family of ultra liberals who’ve have truly gone off society’s reservation. His soundtrack’s beautifully ethereal melodies are a unique mix of alt. rock sampling, angelic choruses, Native American winds, accordion […]Read On »

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The Year in Review: The Best Scores of 2014 – The Runner Ups and Composers To Watch

THE BEST SCORES OF 2014 – The Runner Up’s and Composers To Watch BIG BAD WOLVES  (Frank Ilfman / Movie Score Media) Stop me if you’ve heard the same cinematic tune about a perceived miscreant tied into a chair for all manner of mental, and physical torture to be performed upon him. Thankfully, the Israeli breakout film BIG BAD WOLVES whistles the genre song with smashing black-humored suspense, as captured with a thunderous score by Frank Ilfman, who twists a thrillingly mean symphonic knife as he relentlessly veers between frantic action and sly, Herrmann-esque strings as a set-up for ironic, […]Read On »

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WHIPLASH composers Justin Hurwitz and Tim Simonec keep a mean jazz beat – Interview

WHIPLASH soundtrack | ©2014 Varese Sarabande Records

In a cinema where wannabe musicians have their aspirations lifted through the very mild tribulations of crotchety, yet ultimately humane instructors, filmmaker Damien Chazelle’s WHIPLASH  is FIGHT CLUB as opposed to FAME – the equivalent of a cymbal in the face, or a shower of blood splashed across a drum kit. While young percussion prodigy Andrew Neyman (Miles Teller) gets out of the way of the first abuse-bomb, he’ll have plenty of blood, sweat and tears to give in his sadistic servant-master relationship to his instructor Terence Fletcher, a jazz drill sergeant who makes the scream-swear martinet in FULL METAL […]Read On »

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