The past few years have been a field day for dark, rhythm-driven suspense scores. But when many of these pulsating killing fields have a tendency to merge into one big murder dome, how does one keep the mayhem playing with a sense of fresh musical blood? Just ask Nathan Whitehead, a composer who’s consistently been playing his brutally cool way of surviving one Purge after the other with his action-horror identity intact. In creating what’s easily the most interesting Blumhouse franchise (or at least until they turn WHIPLASH into one), director-writer James DeMonaco took the idea of Classic Trek’s “Red Hour” […]Read On »COMMENTS (0)
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