Music

CD review: WAYS TO LIVE FOREVER soundtrack

WAYS TO LIVE FOREVER soundtrack | ©2011 Movie Score Media

A very inquisitive eleven year-old with leukemia decides to go through his bucket list, a journey of discovery that proves to be musically enervating in the hands of Cesar Benito with the WAYS TO LIVE FOREVER  soundtrack. With styles that are understandably all over the place as his imagination runs wild, Benito enthusiastically conveys a thirst for rhythmic life instead of wallowing in the maudlin. Eccentric percussion, perky horn comedy and a gentle piano solos all contribute to a welcome sense of whimsy that doesn’t neglect the inevitable. And while the big symphonic moments arrive with Kleenex-grabbing flourish, much of […]Read On »


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CD Review: BREAKDOWN soundtrack (3,000 limited edition)

BREAKDOWN soundtrack | ©2011 La La Land Records

It’s not as if I could talk from the experience of being a film composer, let alone the skill to put two notes together in harmony. But from what I’ve witnessed, the job can be either one of the most elating, or soul-draining gigs on the creative planet. You either run in synch with the filmmaker as you give voice to their vision, or collide head-on when you don’t hear eye-to-eye. The latter’s a bumpy road that Hollywood euphemistically calls “artistic differences” – i.e. not giving a director (who can more often than not be a blistering tyrant) exactly what […]Read On »


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CD Review: SUPER 8 original soundtrack

SUPER 8 soundtrack | ©2011 Varese Sarabande Records

Lots of monstrous bellowing accompanies SUPER 8, a film that sports what’s likely the most eagerly awaited Giacchino soundtrack to hit this month, especially for score fans who share the obvious movie geek love that J.J. Abrams’ put into his scary valentine to all 1970’s / 80’s things Spielberg and Amblin. Accompanying all of that director’s own production’s was the lushly adventurous music of John Williams, classic scores that could at once conjure a child’s wide-eyed wonderment towards the fantastic, then freak the bejesus out of them in the next. It’s a similar balancing act that Giacchino does here for […]Read On »


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CD review: CARS 2 original soundtrack

CARS 2 soundtrack | ©2011 Walt Disney Records

Though not  nearly as well reviewed a Pixar film as UP, but a whole lot of fun to listen to in any case, is CARS 2. Where Randy Newman’s more straight-laced approach was more fitting for the original’s desert-bound setting of Radiator Springs, Giacchino’s now taken over the driver’s seat with a considerable shot of adrenalin for this commercially flashy, globe-hopping sequel. Fans of Giacchino’s spy stylings for THE INCREDIBLES, ALIAS and MISSION IMPOSSIBLE 3 (not to mention his ultra-help sore for SPEED RACER) will be happy with the oodles of hip 007 / Derek Flint / Austin Powers action […]Read On »


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CD Review: HARRY POTTER AND THE DEATHLY HALLOWS PART 2 soundtrack

HARRY POTTER AND THE DEATHLY HALLOWS PART 2 soundtrack | ©2011 Warner Bros.

Alexandre Desplat is back in the HARRY house to weave his musical spell with HARRY POTTER AND THE DEATHLY HALLOWS PART 2. But if things seemed more than a bit wispy and time-biding after the last two POTTERS, nothing will prepare you for this literally smashing wrap up, especially with a spectacular musical finish that brings John Williams’ spirit back to the Halls of Hogwarts like never before. Having impressed with the epic franchise fantasy scores for THE GOLDEN COMPASS and THE TWILIGHT SAGA: NEW MOON, Desplat thankfully raises the scoring stakes with his second POTTER big time, his brew […]Read On »


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CD review: BLACK DEVIL DOLL original soundtrack

BLACK DEVIL DOLL soundtrack | ©2011 Rotten Cotton

It’s one thing to take off old school musical exploitation, but it’s another to actually get the groove down to the point where you think you’ve just stumbled upon some beat-up soundtrack LP found under the seat of a filth-encrusted grindhouse theater, circa 1975 Times Square. While Adrian Young perfectly nailed this Blaxploitation vibe for BLACK DYNAMITE, Giallos Flame’s score for the infinitely more sordid BLACK DEVIL DOLL goes way beyond the Afro rhythms to completely nail the sound of Italo horror. Of course, with a name like that, or a credit list that includes MURDER SET-PIECES, PSYCHO HOLOCAUST and […]Read On »


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CD review: HORRIBLE BOSSES soundtrack

HORRIBLE BOSSES soundtrack | ©2011 Madison Gate Records

Whether you’re a suave con artist, a trash-talking teen, or a harassed member of the man cave, there’s no better way to strut your stuff than with balls-out music- whether the stylings are the retro Vegas swing of OCEANS 11, SUPERBAD’s 70’s Motown funk or the blues rock of HORRIBLE BOSSES. Where that film’s composer may have played it cleverly cute for HOP’s Easter bunny in his last comedy score, it’s all about R-rated rhythmic raunch for BOSSES. With a grooving dream team consisting of such musicians as The Dave Matthews Band’s Stefan Lessard, Pearl Jam’s Mike McCready and frequent […]Read On »


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CD Review: SOCOM 4 soundtrack (2,000 limited edition)

SOCOM 4 soundtrack | ©2011 La La Land Records

The percussion-filled musical worlds of TV’s revamped BATTLESTAR GALACTICA might have flown into the sun, but the thrumming echoes that made Bear McCreary’s scores so distinctive can be heard very loud and clear in his videogame soundtrack to SOCOM 4. For his second entry into console music after the impressive orchestral rocketeering of DARK VOID, McCreary takes on the more down-to-earth (if still more than a bit superhuman) adventures a U.S. Navy Seal team, this time blasting away for the flag in Korean territory. Having brilliantly brought incongruous bagpipes and Asian gamelans to outer space, McCreary’s shown he knows how […]Read On »


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CD Review: RED FACTION: ARMAGEDDON soundtrack

RED FACTION: ARMAGEDDON soundtrack | ©2011 Red Faction

Of all the alt. tech composers who are giving sonic flesh to the ghosts in their machines, Brian Reitzell is certainly one of the most intriguing. Shaping guitars to the dusty football plains of Texas in FRIDAY NIGHT LIGHTS or mutating their chords into the terrifying mayhem of 30 DAYS OF NIGHT, Reitzell has also heard the existential funk of STRANGER THAN FICTION before finding fairy tale eeriness in the MTV generation reboot of RED RIDING HOOD. If Reitzell’s interests have often pushed the boundaries between sound design and music, they now reach surreal meltdown with the videogame soundtrack to […]Read On »


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CD Review: THE X-FILES: VOLUME ONE soundtrack (3,000 limited edition)

THE X-FILES: VOLUME ONE Soundtrack | ©2011 La La Land Records

The term “whistling in the dark” took on a whole new meaning when Mark Snow’s cheerfully sinister main title theme first announced agents Mulder and Scully on the Fox channel in 1993. With its telltale vocalizations abetted by undulating, eerie percussion, Snow’s Emmy-nominated main title joined STAR TREK, LOST IN SPACE and THE BRADY BUNCH as one of the most instantly identifiable themes in television history. As the FILES’ premise upped the supernatural disbeliever premise of THE NIGHT STALKER (not to mention PROJECT U.F.O) by several, terrifying notches, Snow’s doom-ridden atmospheres was essential to making us believe over the course […]Read On »


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