Soundtracks

CD Review: BATES MOTEL and PENNY DREADFUL soundtracks

By DANIEL SCHWEIGER 01/02/2015
PENNY DREADFUL soundtrack | ©2014 Varese Sarabande Records

Two cable hits have been busy re-inventing everyone’s favorite Mama’s boy and band of Edwardian monster hunters. But leave it to Chris Bacon and Abel Korzeniowski to make these often horrific exploits go down with orchestral elegance. For Bacon, it’s realizing that melodic empathy is the room key to loving Norman Bates as much as his mom, tenderness that suffuses his often beautiful, lush score to BATES MOTEL. Yet the spirit of Bernard Herrmann certainly inhabits this abode, not in stormily gothic (or stabbing) violins, but in BATES‘ long, drifting string lines and sympathetic piano. While there’s effectively uptempo percussion, […]Read On »


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CD Review: THUNDERBIRDS ARE GO and THUNDERBIRD 6 soundtrack

By DANIEL SCHWEIGER 01/01/2015
THUNDERBIRDS ARE GO and THUNDERBIRD 6 soundtrack | ©2014 La La Land Records

Gerry and Sylvia Anderson’s marionette-centric genre shows like JOE 90 and SUPERCAR might have seemed like charmingly ingenious kids’ stuff in other people’s wire-holding hands. Yet it was the couples’ joyful, uncondescending commitment to their literally wooden characters, and ingeniously designed models that made them truly come to flesh and blood life, especially by filling them with the robustly symphonic scores of Barry Gray. Their imaginations truly took off to become the toast of England, and the TV-watching world with their series THE THUNDERBIRDS, which had the Tracy family and their International Rescue roster of rocketships coming to the near-future’s […]Read On »


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The Year in Review: The Best Scores of 2014 – The Runner Ups and Composers To Watch

By DANIEL SCHWEIGER 12/31/2014

THE BEST SCORES OF 2014 – The Runner Up’s and Composers To Watch BIG BAD WOLVES  (Frank Ilfman / Movie Score Media) Stop me if you’ve heard the same cinematic tune about a perceived miscreant tied into a chair for all manner of mental, and physical torture to be performed upon him. Thankfully, the Israeli breakout film BIG BAD WOLVES whistles the genre song with smashing black-humored suspense, as captured with a thunderous score by Frank Ilfman, who twists a thrillingly mean symphonic knife as he relentlessly veers between frantic action and sly, Herrmann-esque strings as a set-up for ironic, […]Read On »


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CD Review: BLOW OUT soundtrack

By DANIEL SCHWEIGER
BLOW OUT soundtrack | ©2014 Intrada Records

After CARRIE and DRESSED TO KILL, DePalma and Donaggio were at the top of their ersatz Hitchcock-Herrmann game when they took a nihilistic detour into the paranoia-conspiracy territory that fueled such similarly bleak classics as THE PARALLAX VIEW and THE CONVERSATION. But while there was nothing remotely “meta” about those movies’ dark approach, the thrill of any collaboration between this director and composer was in seeing, and hearing just how close their homages could get to the originals and survive, while still being dazzlingly stylish in their own right. On that count, BLOW OUT is a terrific example of being […]Read On »


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The Year in Review: The Best Scores of 2014

By DANIEL SCHWEIGER 12/30/2014
Marco Beltrami and the SNOWPIERCER soundtrack | ©2014 Varese Sarabande Records

THE BEST SCORES OF 2014 AUTOMATA (Zacarias M. de la Riva / Movie Score Media) Scores like A.I. and I, ROBOT have portrayed automatons as having infinitely more soul than their human creators, a purity of electronic spirit that makes them closer to God than any flesh and blood creation. No score has religiously captured that spiritual ghost in the machine with the beautiful, beatific quality of Zacarias M. de la Riva, whose transcendent use of the chorus, and the anguished, spare strings of homo sapien despair merge for a moving requiem to the human race, while signaling the birth […]Read On »


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CD Review: THE FRENCH REVOLUTION soundtrack

By DANIEL SCHWEIGER
THE FRENCH REVOLUTION soundtrack | ©2014 Music Box Records

One can only imagine the honor for a French composer to score an epic based on the events that defined his country’s future, and for a small time the ideals of Liberté, Égalité and Fraternité. And it’s in that spirit one can understand the pure, gorgeous passion that Georges Delerue gave to THE FRENCH REVOLUTION. This massive, six-hour, two-part cinematic endeavor was done for the event’s 200th anniversary, starring the English-speaking likes of Jane Seymour, Peter Ustinov and Sam Neill, and ultimately turned into a TV miniseries that’s still unavailable on video in this country. Delerue had certainly done sweeping, […]Read On »


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CD Review: GORKY PARK soundtrack

By DANIEL SCHWEIGER 12/29/2014
GORKY PARK soundtrack | ©2014 Intrada Records

James Horner’s career was taking off in 1983, due to a dynamic signature sound that often meshed impactful percussion with richly thematic melodies that paid homage to such modern classical Russian masters as Prokofiev and Tchaikovsky. So it was fitting that Horner’s music would journey to their Motherland with GORKY PARK, its unique story (by NIGHTWINGS‘ killer bat author Martin Cruz Smith) pitting a Soviet cop against a murderous American capitalist pig, with furry sables as the MacGuffin behind a skinned face triple slaying. One need not dig far to turn up Horner’s usual, impactful suspects with a score that […]Read On »


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CD Review: LES PASSAGERS soundtrack (500 edition)

By DANIEL SCHWEIGER 12/28/2014
LES PASSAGERS soundtrack | ©2014 Music Box Records

What Americans among us would have known that the first adaptation of popular thriller novelist Dean R. Koontz (written as SHATTERED under the pseudonym of K.R. Dwyer) was done for a French movie? But then, who’d have realized that its composer Claude Bolling wasn’t the first musician in the driver’s seat for a movie that ultimately appeared on our shores as THE INTRUDERS in 1977. But thanks to this intriguing Music Box Records release, both musical takes are out there to savor for as the road got paved for far better known Koontz movies as HIDEAWAY and WATCHERS. But there’s […]Read On »


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CD Review NO GOD, NO MASTER soundtrack

By DANIEL SCHWEIGER 12/27/2014
NO GOD, NO MASTER soundtrack | ©2014 Varese Sarabande Records

The anarchist movement in the early 1900s and the mass deportations its bomb-planting extremists inspired remain obscure, in spite of their lessons being more relevant today than ever in a society willing to do anything to stop terrorists in their midst. It’s a tragic, dramatic importance that infuses this historical drama, whose ambitious scope is given immense, tragic power by Nuno Malo’s score. With a sweeping, symphonic talent that actually made us musically believe in THE CELESTINE PROPHECY, the Portuguese composer take on affecting images of poverty-oppressed Italian immigrants struggling, some violently, for a new life in a land that’s […]Read On »


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CD Review: HANNIBAL Seasons 1 and 2 soundtracks

By DANIEL SCHWEIGER 12/26/2014
HANNIBALS Seasons 1 and 2 soundtracks | ©2014 Lakeshore Records

To label the sonic nightmare that Brian Reitzell has cooked up for television’s most lethally elegant doctor-gourmand as “music” is way to simple a way of defining the wildly experimental stew of sound design and occasional shards of melody that infuse a show that by rights shouldn’t be anywhere near network television, especially scoring that could lead to seizures in more tender viewers foolish enough to tune in. But the psychological incisiveness with which Reitzell conveys the sound of insanity is like nothing else that’s ever been done within the psycho-killer genre, be it on the big or small screens. […]Read On »


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